MAGICWORKMEDIA. COURAGE / ORIGINALITY / MULTIACTIVITY . The Free & Experimental site for Smart People by ELVIS SPARTMANmanager, independant professional author artist : producer, guitarist musician, model fitnessboy, masseur dancer... / WORLD / France / South / OCCITANIA / Herault 34 / Tarn 81 / Aude 11 / studio / domicile...
LIBERTY EGALITY FRATERNITY / MONDIAL L.E.F. FONDATION LIBERTY to be and do what WE want, to share true informations, to grow intelligente laws, to use free monneys, to organize gentle polices, to be autonome, to choose happiness, Francais = FREE MAN... EGALITY between classic & alternative environments, goth, fetish, bdsm, generations, bodies, ANY DIVERITY, styles, libertine, swinger, sex worker, nudist, naturist, polyamorous, lgbtqi+, like COLUCHE said... FRATERNITY with all humans who want union, total fulfillment, action for good, open-mindedness, tolerance, feed their curiosity, creative motivation, create beautiful world of real LOVE, that's what being an ADULT is...
MAGICWORKMEDIA / PRODUCTION / COMPANY BANK SERVICE / SOUNDTRACK
SOUNDTRACK / INSTRUMENTAL / AMBIANCE / FILM
SOUNDTRACK / Herault 34, FRANCE, world
Soundtrack
Soundtrack Herault 34
Soundtrack South FRANCE
Soundtrack international
Soundtrack in Herault 34, international
Elvis Spartman is a musician and composer of film music in the Herault and the rest of the world.
My motivation is the creation of music that adds the right and strong emotion to serve a cinema, video, video game production...
"Film music is not superficial ambient music, it is a character in its own right in the cinematographic work. Managing the emotionality of the spectator or televiewer, he values ​​and emphasizes a scene imbued with emotion, passion, action or other ... From a more subtle point of view, it is a help to the subconscious of the one or the one who watches, a liberating extrapolation of the feelings of the characters, or simple filmed scenes. In this context, film music should not be like music that we hear on the radio for example, that is to say omnipresent and imposing, in the sense that only the music counts, but it must be sufficiently in withdrawal to let the visual take effect, and at the same time it must be remarkable enough to provide a solid and relevant support to the film, this is also why we cannot put film music anywhere ! Like video for music in a video clip perspective, film music must serve the purpose, not become the subject. The clip sublimates the music, the film music sublimates the film, and not the other way around."