MAGICWORKMEDIA. COURAGE / ORIGINALITY / MULTIACTIVITY . The Free & Experimental site for Smart People by ELVIS SPARTMANmanager, independant professional author artist : producer, guitarist musician, model fitnessboy, masseur dancer... / WORLD / France / South / OCCITANIA / Herault 34 / Tarn 81 / Aude 11 / studio / domicile...
LIBERTY EGALITY FRATERNITY / MONDIAL L.E.F. FONDATION LIBERTY to be and do what WE want, to share true informations, to grow intelligente laws, to use free monneys, to organize gentle polices, to be autonome, to choose happiness, Francais = FREE MAN... EGALITY between classic & alternative environments, goth, fetish, bdsm, generations, bodies, ANY DIVERITY, styles, libertine, swinger, sex worker, nudist, naturist, polyamorous, lgbtqi+, like COLUCHE said... FRATERNITY with all humans who want union, total fulfillment, action for good, open-mindedness, tolerance, feed their curiosity, creative motivation, create beautiful world of real LOVE, that's what being an ADULT is...
MAGICWORKMEDIA / PRODUCTION / COMPANY BANK SERVICE / ANALOG STENOPE PINHOLE
ANALOG STENOPE PINHOLE / NATURE / LAND / FRUITS / NUDE
ANALOG STENOPE PINHOLE / Herault 34, Lille 59, South FRANCE, mondial
"If the digital photo increases the quantity, the analog increases the scarcity. I nostalgia for film photography, it is through it that I started photography in earnest in 2000. With my Canon EOS 1 camera where I loaded the film, I learned to frame, build, anticipate in order to support at the right time, and to prepare my move ... not to lose money! When we shoot in film we are not allowed to make mistakes, 24, 36 or 48 shots, it goes very quickly! In this context we are obliged to take THE right photo very quickly, which was not quite the case (especially at the beginning) for my taste but with time, patience and work I could "feel" when, how and where was THE good image. All of this forces you to be more demanding and the eye of the individual is formed by force of circumstances and becomes the eye of a photographer, it is an excellent school and I have absolutely nothing to regret! I went digital for the sake of controlling my own production, by buying a pure technological scam whose name I would not mention since it is the Nikon 8800 bridge camera ... By the way: never take my word for it. the speech of a salesman, he sees in you only a wallet (if you are a salesman, write to me, I would know who to avoid). There are 2 important things also with the film photo, the first is that it will always remain of better quality than the film photo, quite simply because the pixel is limited, the analog not, for those who like the authenticity and ultimate finesse that changes everything! The second, which is a direct consequence of the first, is that, with a requirement of absolutely incredible precision anyway, you will be able to take 1 billion times exactly the same image in film, you will obtain as a result 1 billion different photos. , digital simply does not allow this! And that, well, that RE-changes everything! I am nevertheless happy to have kept my film camera and still use it regularly for unique analog photographs such as landscapes, abstract images or even my nude photos in natural settings. When I rework in these conditions, I have to prepare very carefully for the session, because these silver photos will remain raw and without retouching. And for a variety of pleasures, I also produce silver photographs reworked with paint and protective colored lacquer, so I found this way to get closer to certain painters, it's sublime ... "